

- FREE PORTRAIT RETOUCHING SOFTWARE SKIN
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Note: Portraiture 3 is a free upgrade to Portraiture 2 users. Who’s It For: While not inexpensive, Portraiture is useful for any photographer who shoots lots of portraits. You won’t see that here, because Portraiture 3 is only compatible with Photoshop CC. This version also has a new user interface.

The latest version, Portraiture 3, is twice as fast as the previous version and is optimized to handle the large image files made with high-megapixel cameras, like the 42.4MP Sony A7R III (see our review here.).
FREE PORTRAIT RETOUCHING SOFTWARE SKIN
Tip: Select the New Layer option from the Layers menu and after applying vary the plug-in layer’s opacity in Photoshop, allowing some skin texture to show through, to create a natural yet retouched look. No matter what approach you use, it’s easy to over retouch a portrait and produce plastic-looking skin. You can use the plug-in’s eight presets that are found in a pop-up menu in the upper left-hand corner of the dialog box or a set of sliders to achieve the look you want and then save these settings as custom presets, making them part of your workflow. It smooths skin-removing blemishes while preserving details such as a subject’s hair, eyebrows, and eyelashes. If you’re looking for easy-to-use retouching software, then take a look at Imagenomic’s Portraiture plug-in ($199). Why I Like It: I’m happily using Photoshop CS6 it fits my needs without extracting more money out of a piggy bank that’s already too thin. Who’s It For: Any portrait photographer who’s not an Adobe hater (and the company gives you plenty of reasons to hate them) and wants to get the best out of their portrait image files. I’ve used Version 5 in the past, just not so much anymore, so saying it’s a favorite would be a lie. Lightroom is a 400-pound gorilla and has its own lease-for-life option along with legions of happy users. Of course, one of the most important aspects of Photoshop is its ability to accept compatible plug-ins, which I’ll beat to death later. Another way to accomplish a similar correction is to use the Camera Calibration controls found in Adobe Camera Raw. I like using the Diffuse Glow filter in the Filter Gallery to render an image as though it were shot using a traditional soft focus or diffusion filter.įor mundane yet important retouching techniques, such as removing redness caused by sunburn, you can add a Hue/Saturation Layer to adjust and remove the color cast. My friend Cliff Lawson, one of the finest high school senior photographers in the Rocky Mountain West, uses Adjustment Layers to create dramatic and award-winning images. While the program’s Clone and Healing Brushes are my initial retouching go-to tools, Photoshop has so many options, including monochrome conversion and artistic filters. No matter which version you use, Photoshop remains the 800-pound gorilla for portrait retouching and enhancing.
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So, what’s my take of the best software for wedding, portrait, and boudoir photos? I’ve gathered some of my favorites for your approval, in hopes that you can use them to make your portraits and their subjects look better.Īlthough I don’t agree with Adobe’s approach to distributing Photoshop, any version shipped after 2002, if it runs on your computer, is suitable for retouching and enhancing portraits. I think that using the right tool for enhancing and retouching portraits is no different than choosing the right lens to make that same photograph. When Photoshop introduced the Healing Brush tool in Version 7, a former colleague was aghast that Adobe was making retouching “too easy” and hated that “no skill was needed” for enhancing portraits using this tool. The following is something people tell me when I suggest using a plug-in or specialized software for enhancing or retouching portraits: “But you can do that in Photoshop!” That’s because when it comes to software for wedding, portrait, and boudoir photographs, everyone has an opinion-sometimes a strong one-even if they’re wrong. Photos © Joe Farace, unless otherwise noted The image was further tweaked using the Viveza plug-in, then converted to monochrome using Silver Efex Pro, topped off by applying the Glamour Glow filter that's part of Color Efex Pro. I did some light retouching with Photoshop's Healing and Clone Brushes, followed by applying Imagenomic's Portraiture plug-in.
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Camera was a Canon EOS 50D with an EF 28-105mm lens with an exposure of 1/60 second at f/4.5 and ISO 400. This model was photographed mostly using available light with fill from a Canon Speedlite 580EX II.
